Honeymoon

The Take

Track 8 of *Love Sick* is the album's Kaytranada solo-production showcase — the only track on the standard edition produced entirely by a single person, and the most stylistically distinct cut on the record. The Haitian-Canadian producer brings his signature vocabulary in full: shuffling drum programming with humanized swing, a low-end that bounces rather than slams, chord voicings drawn from disco and 70s soul rather than trap, and a tempo that sits noticeably higher than the album average. Don adapts his vocal accordingly, abandoning the half-whispered breath-tones he uses on slower *Love Sick* cuts in favor of a more rhythmic delivery that rides Kaytranada's groove rather than floating above it. The lyric paraphrase: a domesticated romance fantasized as permanent vacation, the title's honeymoon imagery extended across verses about waking up together, ordering room service, refusing to read the news, and pretending the rest of the world doesn't exist for the duration. Among *Love Sick*'s 16 standard tracks, 'Honeymoon' is the clearest sonic outlier — neither James Blake's haunted electronics nor Wheezy's slow-burn R&B nor the Hit-Boy aggression of 'Bus Stop' — and that distinctness is the point: Kaytranada's contribution was meant to be a left-turn on the tracklist, a moment where the album's romantic concept gets a different production language. Critically, the track was singled out by reviewers as one of *Love Sick*'s most unexpected highlights and a reminder that Don's vocal works in registers his prior records had not explored. It's also a Kaytranada/Don pairing that fans had wanted on paper for years, dating back to the producer's 2016 *99.9%* moment; the actual collaboration delivers on the promise.